Getting Started: Beginners' Fiction Getting Started: Beginners' Fiction Getting Started: Beginners' Fiction

Getting Started: Beginners' Fiction

An introductory course for the writer who is ready to commit to beginning to write seriously.

Level

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Starting out

What do these levels mean?

Location

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London

Length

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12 weeks
  • Start Date
  • Time
  • Thursdays, 19:00–21:00

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£1095

£1095

£300 / month for 2 months and a £495.00 deposit

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Start writing fiction at Faber

Writing a story is both surprisingly simple (have an idea – develop that idea – get it down – edit, edit, edit) and superhumanly complex, delivering dialogue, description, revealing plot points, characterisation, etc – all whilst maintaining narrative flow. But by taking the machine apart and studying each separate element, as well as considering how those elements function as a whole, this course will demystify the creative process.

Each session will focus on a different building block – character, dialogue, perspective and so on – in order to give you the firm foundation of craft and knowledge from which to begin telling your story. We’ll also be analysing where ideas come from and how best to develop them, as well as the fine balance between the ‘creative’ and the ‘critical’.

Is this the right course for me?

This course is suitable for complete beginners, but it's okay if you have a little more experience too. It's for those looking to establish solid grounding in the technical elements of fiction writing and to develop their own style and ambitions for their work.

Through discussion and supported by excerpts from published fictions we’ll aim to give you the confidence to move your own project forward, utilising exercises, workshops and (if you have the time) extra-curricular reading and writing. Each writer is bound to have their own individual writing experience, developing along their own individual path, but with the support of the tutor and their fellow-students the goal is to have each participant leave with a better understanding of how fiction works and how to make the most of their own unique abilities.

Every student will have their own work read and discussed by the tutor and other members of the class in weekly workshops.

These workshops will focus on perspective and point of view; development of character; shaping of scenes; providing texture through imagery, detail and atmosphere; on pace, tension and contrast. Here you will develop confidence and ability and learn how to play to your strengths.

By the end of the course you should be beginning to find your voice – the material and style which belong to you. You will have had the opportunity to write one or two short stories, or the beginning of a novel, in a space where you are taken seriously as a writer.

    This course is formed of twelve two-hour sessions, which take place at Faber's HQ, The Bindery, from 19:00 until 21:00.

Course Programme

Session 1

Thursday 18 September, 19:00–21:00

The Writer's Eye....

Session 2

25 September, 19:00–21:00

Ideas....

Session 3

2 October, 19:00–21:00

The Creative Process. ...

See remaining sessions

Course Programme

Getting Started: Beginners' Fiction (Evening)

Session 1

Thursday 18 September, 19:00–21:00

The Writer's Eye

Finding ‘the extraordinary in the ordinary’ and discussing just how expansive and accommodating fiction can be.

Session 2

25 September, 19:00–21:00

Ideas

How to identify, collect and cultivate them. The big (and little) ‘what if …’.

Session 3

2 October, 19:00–21:00

The Creative Process

The benefits of being able to step back and look more objectively at a story’s development, from inception to final draft.

Session 4

9 October, 19:00–21:00

The Short Story

We explore the short story as a potential place in which to experiment in miniature (Margaret Atwood’s prose-poetry and Richard Brautigan’s micro-fictions, for example) or as a destination in its own right.

Session 5

16 October, 19:00–21:00

Characterisation

Creating convincing individuals, from the inside out, rather than the outside in. Exploring what your protagonist wants and what stands in their way.

Session 6

23 October, 19:00–21:00

Point of View

How to find the most useful perspective from which to tell your tale. First person vs. third person; present tense vs. past tense (and how such perspectives might not necessarily oppose each other).

NB This week will be followed by a Reading Week.

Session 7

6 November, 19:00–21:00

Finding the Right Voice

Locating the appropriate tone or pitch with which to deliver a story can be as important as the story itself. We’ll look at different styles in published texts and pick apart what they do.

Session 8

13 November, 19:00–21:00

Time

Exploring the many mechanisms within fiction that allow us to cut back and forth, speed up and slow down, etc. as well as how we learn to pace our prose.

Session 9

20 November, 19:00–21:00

Narrative and Plot

We’ll examine the structure of a story and shaping a piece of writing to suit the story being told.

Session 10

27 November, 19:00–21:00

Dialogue

‘The purest form of showing’ (D. Lodge) or ‘the character in action’ (J. Yorke). Maintaining tension and how we rarely say what we mean

Session 11

4 December, 19:00–21:00

Rewriting / Editing

Learning to read one’s own work coolly and critically and how to improve it, draft by draft. Having the courage to know when to wield the red pen but also when to acknowledge the limits of ‘perfectionism’.

Session 12

11 December, 19:00–21:00

Ending

Resolving a narrative satisfactorily, ideally in a way that is both ‘surprising yet inevitable’.

Tutor

mick-jackson-tutor

Mick Jackson

Mick is a Booker Prize–shortlisted author of four novels and two collections of short stories. His novels – The Underground Man...

More About This Tutor
Mick Jackson

It is impossible not to look forward to seminars taught by Mick Jackson, filled as they are with his bottomless insight into, and curiosity about, the creative process and fiction in particular.

Student

Mick’s bon mots will be with me forever – he taught us to think big and to put ourselves in a reader’s shoes. His one-on-one tutorials were insightfully precise, but always encouraging.

Student

It is impossible not to look forward to seminars taught by Mick Jackson, filled as they are with his bottomless insight into, and curiosity about, the creative process and fiction in particular.

Location

The Bindery

51 Hatton Garden

London EC1N 8HN

How to get here

Faber’s office, The Bindery, is well connected by public transport, with Farringdon Station just five minutes’ walk away, and stops for several bus routes in the area too. If you’re coming from outside of London, the office is a short bus or taxi journey from Kings Cross, Euston and St Pancras stations.

Browse the Reading Room

From author interviews and writing tips to creative writing exercises and reading lists, we've got everything you need to get started – and to keep going.

For more information, message us or call 0207 927 3827