The Five Day Refresh The Five Day Refresh The Five Day Refresh

The Five Day Refresh

Has your novel or story stalled? Join Keith Ridgway for this new intensive course to reinvigorate, enthuse, unblock and get you writing again.

Level

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Improving

What do these levels mean?

Location

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London

Length

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1-5 days
  • Start Date
  • Time
  • Monday–Friday, 10:00–16:00

Places available

£595

14 in stock

Quantity:

What's holding you back?

Every writer gets stuck. You know the project you want to write but have hit a block. How do you inject new life, access new perspectives, or take a new approach in order to get your draft finished? In this course, led by popular Faber Academy tutor and acclaimed writer Keith Ridgway, you will examine your project from every angle to unpick what’s holding it – and you – back.

In the home of one of the world’s most famous publishing houses, you’ll receive the hands-on guidance you need to reignite your enthusiasm for the project. You’ll step back from your work-in-progress, and explore different strategies and techniques to breathe new life into it, while asking yourself key questions about the technical choices you've made. You'll reconsider perspective, characterisation, story, language, and all the other elements of your work.

The course will also encourage you to reflect on your own process as a writer, both on the page and in the world. Why do you write? Where do you find your confidence? What do you want writing to do for you?

In addition to working alongside up to fourteen writers, you’ll also have the opportunity for a one-to-one with Keith to discuss what’s holding you back in your project and writing, so you can put strategies in place to keep writing after the course has ended.

Is this the right course for me?

This course is for a writer who has been writing for a while and is committed to working on a specific project – whether that be a short story or novel or other fictional form – but is finding themselves coming up against barriers in their writing. It will also suit a writer who has been writing for a while and is generally blocked.

As well as examining your own process and relationship to writing, you’ll look at how other writers have thought about their own work.

You’ll be introduced to texts such as My Work by Olga Ravn, Diaries by Franz Kafka (translated by Ross Benjamin), How To Start Writing (And When To Stop) by Wislawa Szymborska, Several Short Sentences About Writing by Verlyn Klinkenborg, How Fiction Works by James Wood, The Art of the Novel by Milan Kundera and The Naive and Sentimental Novelist by Orhan Pamuk.

These are not required reading by any means, and other writers and other works will almost certainly crop up.

    This course takes place Monday to Friday at Faber's offices in Hatton Garden. Teaching time will run from 10:00 until 13:00 each day, followed by a break for lunch.

    The course will then continue between 14:00 and 16:00. Afternoons will be spent working on your writing in an open, supportive workshop environment, with time for both quiet work and workshops.

    Workshops will enable you to share your work and reflections with your tutor and the rest of the group, on a voluntary basis.

Course Programme

Session 1

Monday 11 August, 10:00–16:00

What’s wrong with it? What’s wrong...

Session 2

Tuesday 12 August, 10:00–16:00

Inserting Difference...

Session 3

Wednesday 13 August, 10:00–16:00

Becoming Different...

See remaining sessions

Course Programme

The Five Day Refresh

Session 1

Monday 11 August, 10:00–16:00

What’s wrong with it? What’s wrong with you?

On your first day, you’ll conduct an audit on your project: what are you stalled on? What’s the problem? And how can you disentangle problems in the text from our problems in our approach to the text (and in ourselves).

Session 2

Tuesday 12 August, 10:00–16:00

Inserting Difference

Something needs to change, so what are the options? You’ll look at ways in which your technical choices can be reconsidered and redirected, at reimagining your characters, at reforming your language, and at perspective.

You’ll also look at where you stand as an author and what you’re trying to do. Who is the reader you’re seeking to reach? What do you want your writing to do for, or to, them – and why?

Session 3

Wednesday 13 August, 10:00–16:00

Becoming Different

Writing requires confidence, but where do we find it when a project has stalled? As well as looking as the possibility of reading your way into writing, you’ll also look at other states of mind you might need for writing – the writer walking, the writer working, the writer rewriting and the writer not writing.

Session 4

Thursday 14 August, 10:00–16:00

Perseverance

Is writing something that happens to you? Or is it something you do? In this session, you’ll consider writing as clearing a space and writing as work.

You’ll also examine what you mean when you say you’re sick to death of a project, or when you can’t face it, or when you’ve had enough. Is realising potential in one direction about closing off potential in another direction?

Session 5

Friday 15 August, 10:00–16:00

Giving up or going on – and what's the difference?

In your final day on the course, you’ll conduct another audit on your work. Where are you now? What have you changed? What has that achieved?

You’ll also look at what you really want from your writing, as well as discussing what constitutes the failure or success of a project.

Tutors

keith-ridgway-edited

Keith Ridgway

Keith Ridgway is from Dublin. He is the author most recently of A Shock (Picador, New Directions, 2021), which was the winner...

More About This Tutor
Keith Ridgway

I found Keith to be a truly gifted teacher: kind, attentive, sincere.

Student, 2024

Keith is a fantastic tutor. He helps guide individuals and groups to find themselves, their ideas and their voices. Insightful and sensitive, Keith has helped shift me into another gear of my writing.

Student, 2024

Keith is a wonderful tutor. Kind, attentive, interested and sincere. I felt taken seriously as a writer and feel this is the beginning of a serious writing practice for me.

Student, 2024

Keith's teaching and the space he holds for ideas to grow and writers to find themselves and their voice is incredibly sensitive. I feel so grateful for the example and tone he set. Keith is also an exceptional listener and is able to draw meaning and spark conversation.

Student, 2024

Keith is an open and encouraging tutor, tackling familiar content you often see in these types of courses in a fresh way.

Student, 2024

Keith was great at helping me to really take myself seriously as a writer.

Location

The Bindery

51 Hatton Garden

London EC1N 8HN

How to get here

Faber’s office, The Bindery, is well connected by public transport, with Farringdon Station just five minutes’ walk away, and stops for several bus routes in the area too. If you’re coming from outside of London, the office is a short bus or taxi journey from Kings Cross, Euston and St Pancras stations.

Browse the Reading Room

From author interviews and writing tips to creative writing exercises and reading lists, we've got everything you need to get started – and to keep going.

For more information, message us or call 0207 927 3827